Dick Ball, 1902 - 1980. String bass player with the great British jazz and dance bands
this page first published by John Wright, 24 Sept 2000
last update 4 November firstname.lastname@example.org
I have been contacted by William Morrison, grandson of Dick Ball who played string bass with several dancebands including Bert Ambrose, and participated in some of the hottest jazz recorded by British musicians in the 1930's. After some exchange of information I offered to create a webpage as a tribute to Dick Ball. I am especially grateful for the personal photographs that form part of this tribute.
Son of a fireman, Dick Ball was born in Southwark Fire Station 26th Dec 1902, 2nd eldest of 14 children. He attended Naval School but was discharged as unfit and chose to make a life in music, playing tuba, sousaphone and latterly string bass. Dick's early music career saw him in theatre and silent cinema orchestra pits, working in Cambridge, and Stoke-on-Trent. In 1922 while playing Hanley Royal Theatre, Stoke-on-Trent, in a production of the musical comedy Chu Chin Chow, Dick's eyes strayed away from the sheet music to a pretty usherette, Winifred. They were married in 1924.
Dick also worked on the White Star Liners (Hamburg-New York). On the transatlantic trips musicians could only go ashore for instrument repairs. Dick told the story that on one trip while ashore he saw a sign Bass Player Wanted, he went for the audition, got the job, then jumped back on ship! Later he could be seen playing at Fulham Lyons Pop Cafe, then with Charlie Tucker at The Empress Rooms, and at The Hotel Cecil with Marius B Winter, back to the Empress Rooms with Eddie Gross-Bart. Later there was a spell with 'Hutch' at the Embassy Club, played with Jack Shield's band, Howard Jacob's band, and was with Joe Orlando's band at the Embassy Club where Stanley Black was pianist and arranger (1).
This photo shows Dick with the "Professor bass", one of three models made by Hawkes (later to become Boosey & Hawkes) in the early 1920s.
The earliest recordings listing Dick Ball-sb are a Homochord session involving Marius B Winter's Hotel Cecil Dance Band in Dec 1928 or Jan 1929. Dick may also be featured in later Winter recordings on Broadcast label from Sept 1930 - Apr 1931. Dick is listed as a member of Eddie Gross-Bart's band who had recorded but been rejected at several Decca sessions in 1930, and is on the numerous titles by the band released on Edison Bell in 1931. Some of the Arthur Lally/Lew Stone 1932 sessions on the Durium label featured Dick Ball as did a Howard Jacobs session in Sept 1933.
Then came the big time, with the Bert Ambrose Orchestra. Dick's first Ambrose record was 'Memories Of The May Fair' recorded Oct 5th, 1933, and Dick is featured continually up to 24 March 1937. It is said that during their Monte Carlo season the Bert Ambrose men would share a £2000 per week salary and lived superstar lifestyles, and a much told story tells that on one occasion when Ambrose ran out of money he sent Sam Browne back to England for more. On recordings from April 3rd 1937 Tiny Winters is listed as the Ambrose string bass player. Dick did return to Ambrose for a few months in 1941. See two Dick with Bert Ambrose photographs.
Max Bacon was Dick's good friend in the Ambrose band. See Friends' Autographs picture. There are many stories that could be told, like the time Max damaged his foot and Dick carried him up the stairs of the Palladium and the time Dick could smell something horrible on stage only to find somebody had stuffed a pair of kippers through the F hole of his bass! Harry Roy was also a friend of Dick's, and of course another great bass player since the 1930's Tiny Winters. See Dick and Tiny photograph.
Jay Wilbur's recordings from around June 1935 are listed as involving Dick Ball including the early excellent Rhythm Rascals titles issued on Crown label. From Oct 1935 either Dick Ball or Don Stuteley play bass, never clear which titles feature Dick, and finally replaced by Billy Bell sometime mid 1936. (2).
Dick worked with Jack Harris and his band for a few months 1937-38, and then spent two years with Maurice Winnick at the Dorchester and the Lyceum.
This is a photo of Dick Ball with a 3/4 size "king bass" which was of US origin. Apparently Dick heard this type of bass being used by the Dorsey Brothers Orch. and just had to have one. He had the kingbass imported to Britain and there was a photo in the Melody Maker of Dick personally picking it up from Southampton Docks.
Dick Ball performed with some of the hottest jazz groups assembled for recording sessions in Britain in the 1930's. An impressive list includes: Six Swingers (1934), Embassy Eight (Ambrose group) (1935), recordings with Boswell Sisters and Connie Boswell with Ambrose members (1935), Lew Davis (1935), Rhythm Rascals (1935), Arthur Young (1935), Freddy Gardner (Dec 1935, Dec 1937, Sept 1938-May 1939), Harry Robbins (1936), Danny Polo (Oct 1937, Jan 1938), Joe Daniels (1940-42) (3).
You can hear the Embassy Rhythm Eight ensemble playing Hitchy Koo, then listen to the a jazzy break played by Max Bacon (dr), Dick Ball (sb) and Lew Davis (tb). We know Dick plays on many recordings but it's often difficult to pick him out for more than a few bars when there's support rhythm from the likes of Joe Brannelly (guitar), Bert Barnes (piano) and Max Bacon (drums), but I've included here an excerpt from the Lew Davis Trombone Trio recording of Three Of A Kind. R. Ball -bass is printed on the label of another record, Parlophone R2125, where Dick was a member of the rhythm support for two Lew Davis solo trombone recordings. Dick can be clearly heard on early recordings by Joe Daniels' Hot Shots including Steppin' Out To Swing.
In 1936 Dick kept up a family tradition by buying a newsagents shop (Westow St., Upper Norwood, London SE19) which his brother Louis ran when Dick was on the road. The shop was badly damaged by enemy bombs in 1942. This badly affected Dick and his son Cliff was of the opinion that the event prompted Dick to wind down his music career.
In 1943 Dick joined the War Reserve Police and served at Bootle, Liverpool, where he also played in the police band (see photo below).
|Dick would bring out his string bass whenever the occasion demanded it. Here Dick is part of an unusual ensemble playing at his daughter June's wedding in 1957. William says "Note the guy on the bag pipes, I can't imagine what they were playing!"|
|Also at the wedding, son Cliff took up the drums to support Dick on bass!|
Text Copyright ©2000 William Morrison/John Wright
Images on this page are Copyright ©2000 William Morrison/family of Dick Ball. Images should not be used without permission.
(1) early career details from Chris Hayes/Memory Lane
(2) Dance band recording career details are from British Dance Bands On Record by Brian Rust/Sandy Forbes
(3) Jazz career details are from Jazz Records 1897-1942 by Brian Rust.
(4) Personal and family information from William Morrison (grandson), Cliff Ball (son), Mrs Jean Morrison (daughter) and other family members.
(1) early career details from Chris Hayes/Memory Lane
There is an active discussion group where you can talk about Dick Ball and other musicians from the great British dance bands:
or check out the group site first at http://www.yahoogroups.com/group/british-dance-bands/
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